Book Reviews, Bookworm Blogging

Disappearing Earth [review]

Disappearing Earth by Julia Phillips
Published by Knopf on May 14, 2019
my rating: ★★★★.5
Goodreads avg:
3.90 (as of 2020-08-02)
Spoiler-free review

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One hand came up to press on her sternum. Her heart hurt. If Marina could peel off her left breast, crack back her ribs, and grip that muscular organ to settle it, she would.

Let me start off by noting that this novel is primarily literary fiction; while a mystery sits at its core, there is little-to-nothing in the way of thrills and readers are going to be disappointed expecting them. The setup itself is atypical: essentially a collection of interconnected short stories, each following a different character (all women, if I recall correctly?). Think There There by Tommy Orange or Girl, Woman, Other by Bernardine Evaristo. Like these comparisons, Disappearing Earth also has a great deal of commentary to make on race, specifically racism impacting the indigenous peoples of Russia.

I was honestly shocked to discover that this was a debut. Phillips skillfully traces the web of connections surrounding the mystery of the two missing girls and was able to make me care so deeply about the majority of the characters in the single chapter she devotes to them. There were so many moments in this that felt like a punch to the gut, so many stories that made my heart ache. And all of this in less than 300 pages.

I’m so glad I read this and I’ll definitely be keeping an eye out for Phillips’ future works.

My current 2020 Women’s Prize Squad Longlist rankings:

  1. The Body Lies
  2. Disappearing Earth
  3. Girl, Woman, Other
  4. My Dark Vanessa
  5. Supper Club
  6. The Man Who Saw Everything
  7. My Name is Monster
  8. Ninth House
  9. Bunny
  10. The Mercies
  11. Frankissstein

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Book Reviews, Bookworm Blogging

Into the Water [review]

Into the Water by Paula Hawkins
Published by Riverhead Books on May 2, 2017
my rating: ★★.5
Goodreads avg:
3.56 (as of 2019-12-18)
Spoiler-free Review

Goodreads | IndieBound | Author Website

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.

Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother’s sister, a fearful stranger who has been dragged back to the place she deliberately ran from–a place to which she vowed she’d never return.

With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present.

Beware a calm surface–you never know what lies beneath.

Into the Water follows a multitude of characters in small-town England following the death of one of the town’s inhabitants. Only, as it turns out, many others had perished in a similar way. I did find this quite engrossing at first. The mystery was intriguing and the backstory that was being slowly revealed was enough to keep me interested. I initially thought that what the novel was trying to say was good — something about how women have been dismissed and disposed in similar ways over time. 

Part of where things fell apart for me was the large cast of characters. I found it somewhat difficult to follow who was who, and would get thrown out of the story while I tried to remember. There was also a plotline about rape that I just didn’t love. I recognize that this is certainly more of a personal opinion rather than anything else, but I felt that it was handled sort of strangely and the message that it was trying to relay, while commendable in nature, came across as flat and trying too hard. There is a way to discuss and portray the nature of victim-blaming and coming to terms with assault without throwing it in your audience’s face that you’re doing so, which is what I felt like happened here.

Another very specific thing I disliked was that there was one queer character whose queer identity was not known until near the end of the novel, where another character viciously outed them using slurs. This happened in a single paragraph and was never acknowledged again. I wouldn’t even deign to say that this has lgbtq rep, as it is so brief and poorly used — it is literally for shock value.

Aside from the few points above, I can see why people would enjoy this. As a thriller it’s decent and the red herrings make it quite difficult to pinpoint exactly what is going on until the end. It’s another book that I wouldn’t outright recommend, but also wouldn’t necessarily dissuade anyone from reading unless anything I’ve mentioned sounds like a dealbreaker to you.

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